Space Opera - The Drip Chronicles

Originally posted on MSPA by thriggle.

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> Interpretive dance to convey to him that you can talk through interpretive dance.

>Save yourself! Dance like you've never danced before!

You briefly consider simply explaining to Steve John that you can now understand him and then asking him not to shoot you, but realize that your situation is much too nuanced for the medium of speech, and can only be fully related through INTERPRETIVE DANCE.


You LEAP your encounter with the SAVAGE FOLIAGE.


You ARABESQUE your explorations in the NATIVE VILLAGE.


You PIROUETTE the confusion and frustration you felt as you made your way through this PRIMITIVE FACILITY.


And finally, you dance a complex and sensual CODA designed to connect with your audience on the universal hindbrain levels of DANCE and MOVEMENT, and fully invoke understanding regarding your discovery and removal of the MISTRANSLATION DEVICE, as well as explain via RECURSIVE DANCING that you can communicate fluently and reliably through INTERPRETIVE DANCE.



Steve John appears DEEPLY MOVED.

We need ACTIONS not WORDS!!
You've got to convince your old rival that you have become the ultimate coolness!

>Shoot the gun out of his hand off of his body.

>SHOOT FIRST!

Not trusting Steve John's apparent SENSITIVITY and APPRECIATION for the PERFORMING ARTS, you decide to play it safe and shoot that ZAP RIFLE out of the Drop's han-- er, skin.

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Spoiler
You are now Nigel's Thornberry.