Godhood XIV - Usurper [Honey Edition Turn 3]

Nash-Marr doesn't like those odds, if only because he sees the sort of stage that the likes of Bacardi wouldn't accord a second glance.

The one on which they (men, women, gods) were players, and any play in which Nash-Marr stuck his face was bound to get self-referential - whether the players play actors, or whether the tale itself is of a thespian setting.

Nash-Marr sees the dramatic irony, solid as plywood scenery and as real as the imagination demands it. He doesn't need his future-seeing eye for that.

The only thing Nash-Marr likes less than the odds is the potential less-than-friendly attention of the guy spouting them. The godling just nods instead, cowed and not sure what to do from here on out.